Menton3 started drawing and painting as a child, already then he wanted to make comic books. His gift developed over the years and now he can be called self-taught painter. For some time he turned and dedicated himself to music. After the Saltillo album was released, he thought of painting his wife a canvas. Doing so brought back memories and for next few years he painted as much as he could. The idea of creating comic books came back to him, consequently he self-published his graphic novel, Ars Memoria. He admitted, in interview from 2010, that up to this date, it was the hardest and most rewarding thing he have done artistically. He had a pin up in Proof #25 (image comics), and Zombies vs Robots Aventure (IDW publishing) a four issue miniseries of which he has ‘the first nine to eight pages of, plus a great deal of independent covers and pin ups’.
Asked about his future work he replied "I heard a writer once say, that he did not really write things, and much as he just wrote it down. Painting for me is a great deal like that, if I could articulate it with words I would not have to paint it. It is the need to manifest the internality of my own psyche. To place in the external world my own personal internal architecture, iconography, tropes and loci, connecting them together and seeing them in ways that my psyche does not naturally do outside of dreams, to the point that resolution was a foregone conclusion."
Since then he collaborated with different writers and created a lot of illustrations.
This painting depicts the limitations society places on women, corrupting what truly is beautiful by placing them in these prisons of identity. By doing so, society is asking them to become superheroes. The work is an offset of American comics, synonymous to entertainment and fun. This is exactly the goal of the series - a daily struggle against that which is imposed by society and the very expectations we impose on ourselves I keep myself busy in many ways; single mom, business woman, artist, the household, romance, errands. It puts a lot on one’s shoulders. We overwork ourselves. We are all slaves to something or of something. And in comic books, despite all the playfulness of the thing itself and all the “POW BING BAM,” superheroes are also fragile. We are merely human men and women and we are entitled to the flaws and errors. Lets be proud of who we are, be fierce and strong.
Sandra Chevrier, who calls herself a “gaze collector,” creates hyperrealistic paintings of women that stare out towards the viewer. Reinterpreting the superhero mask, Chevrier covers these images with a collage of comic book prints, using scenes from Superman and Batman to conceal the faces of these idealized women. Chevrier selects sections of comic books that portray “fragile heroes,” promoting the idea that vulnerability often underlies heroism. Titled “Cages,” these mixed-media works encourage viewers to consider how the modern woman—like these superheroes—might also be surrounded by expectations of effortless perfection.
Jennybird Alcantara's minutely detailed oil paintings possess un-borrowed symbolism, drawing the viewer deeply into a world both strange and beautiful. Dreamlike narratives form the core her paintings where the complex interconnectedness of opposites appear through the prism of myth, fable and fantasy. Jennybird uses the symbolism of duality to explore the connection of life and death and the veil in between.
Born a minister's son in 1977 in Seoul Korea, Young Chun remembers as a child, living in a small attachment to a hillside church for a brief time. The weekdays spent running around with imaginary friends in the dim empty chapel has fueled his imagination, contributing to his artistic growth. The "chapel" has become a permanent fixture in his creative mind - where he constructs, develops, and stores works in progress, before they ever meet a sketchpad. In 2000, Young received his B.F.A, from the Art Center College of Design, in Pasadena California. After several years of painting without clear direction, he stumbled into the opposite end of the spectrum - into the healthcare field - to search for "substance" and "something deeper in life". The years spent working as a respiratory therapist, helping people who were faced with life and death situations, has expanded his outlook in life; adding to his artistic vision. In February of 2011, Young resumed working as a full time artist. He currently lives and works in Orange County, California.