Amandalynn is inspired by the female form and spirit. She is passionate about her illustrative depictions of strong, seductive women, capturing an alluring invitation to each viewer through strong line work and decorative patterning. Amandalynn is constantly displaying her artwork in galleries and private collections all over the United States, as well as Internationally.
These are portraits of the forgotten idols, the pieces of the past meant to preserve the highest order of our human ideals. As we move stubbornly forward in time and generations pass on, we see our crowned achievements of art and culture as dust. The rate of decay is governed only by the constitution of the material, be it flesh or marble. These paintings are about interpreting the fragility of our idols and examining them from a humanist perspective. In the end, entropy prevails and only by finding beauty in decay and re-interpreting it do we carry on the indomitable human spirit of progress and artistic pursuit of beauty.
Bradley Platz’ intricate oil paintings deal with the alternating nature of worship in the modern age. Using classical symbolic imagery from old world traditions and transposing subtle hints of modernity, his work might best be described as tarnished elegance. Ever present also are certain whimsical and subtle symbols that carry the viewer through his body of work as a reader through a story, or a craft on the sea.
Helice Wen was born in Shenzhen, China where her interest in art began at the age of 5 when she first started copying children’s book illustrations. After graduating from the Academy of Art University San Francisco in 2009, she began working as a children’s book illustrator. After leaving her illustration job a few years ago, Wen is now focused on creating gallery works. She has exhibited in New York, Florida, Melbourne, Los Angeles, and San Francisco. She currently resides in San Francisco, working as a full time artist.