Storybook: The Little Prince by Antoine de Saint-Exupéry | The Little Prince is a poetic tale, with watercolour illustrations by the author, in which a pilot stranded in the desert meets a young prince fallen to Earth from a tiny asteroid. The story is philosophical and includes social criticism, remarking on the strangeness of the adult world. It was written during a period when Saint-Exupéry fled to North America subsequent to the Fall of France during the Second World War, witnessed first hand by the author and captured in his memoir Flight to Arras. The adult fable, according to one review, is actually "...an allegory of Saint-Exupéry's own life—his search for childhood certainties and interior peace, his mysticism, his belief in human courage and brotherhood.... but also an allusion to the tortured nature of their relationship."
Though ostensibly styled as a children's book, The Little Prince makes several observations about life and human nature. For example, Saint-Exupéry tells of a fox meeting the young prince during his travels on Earth. The story's essence is contained in the lines uttered by the fox to the little prince: On ne voit bien qu'avec le cœur. L'essentiel est invisible pour les yeux. ("One sees clearly only with the heart. What is essential is invisible to the eyes.")Other key thematic messages are articulated by the fox, such as: Tu deviens responsable pour toujours de ce que tu as apprivoisé. ("You become responsible, forever, for what you have tamed.") and C'est le temps que tu as perdu pour ta rose qui fait ta rose si importante. ("It is the time you have lost for your rose that makes your rose so important.") The fox's messages are arguably the book's most famous quotations because they deal with human relationships.
Ania Tomicka was born in 1985 in Lodz, Poland.
When she was only 9 she moved to Italy, where she started to draw seriously: manga at first and realistic things afterwards. She attended an art institute and graduated in 2004. During the school years she starts to paint with oil colors, a technique that soon to became her favorite. Hence she attended the Academy of Fine Arts of Venice where she found a lot of inspiration for her realistic and academic art. A year later she moved to Tuscany where she graduated at the Academy of Fine Arts of Florence. She focused her interest in more things like digital art, illustration and new materials such as wood.
She also completed her studies at the academy of digital arts NEMO NT where she gained the title of student of the year.
Ania has always been interested in realistic, renaissance works. Her first loves are Salvador Dalì and Wojtek Siudmak's big canvases, full of absurd and strange creations, painted in a divine way.
Her current paintings are inspired by the American Pop Surrealist movement.
Storybook: James and the Giant Peach by Roald Dahl | James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centres on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with six magically-altered garden bugs he meets. Roald Dahl was originally going to write about a giant cherry, but changed it to James and the Giant Peach because a peach is "prettier, bigger and squishier than a cherry."
Richard James Oliver
Born in Pontypridd, Wales in 1975.
Currently Paints and resides in Los Angeles CA.
Solo exhibitions include the Known Gallery, Hollywood, Los Angeles. Museum of Modern Art, Wales. Attic Gallery, Swansea and Rhondda Heritage park permanent Mural.
Mixed Exhibitions Worldwide including London, New York and most recently Los Angeles.
Paintings currently hang in Museums and public display throughout the UK and private clients are worldwide.
Richard J Oliver was born and raised in Wales, United Kingdom, studied Fine Art at the University of the West of England and undertook his Masters at UWIC in Wales. In his time between studies, Oliver built his reputation, beginning in Wales and later gaining recognition throughout the UK. His work has been included in numerous European group shows, which then segued into solo shows, including an exhibition at the prestigious Museum of Modern Art in Wales.
Oliver's early work focused on his homeland, particularly the struggle of its youth trying to find identity in the aftermath of the local mining industry's demise. His work often showcased the skeleton landscapes of mining villages in the Welsh valleys juxtaposed with contemporary youth.
His latest works explore more universal subjects, from environmental issues to humanitarian and social problems that are close to his heart.
Since becoming a parent, Oliver has explored the anxieties of raising a child in an environment on the brink of disaster. The images touch on the tragedy of children forced to survive in an apocalyptic environment and violently fend for themselves. He transforms the natural instincts of fatherhood and family protection into striking visuals. More recently, portraits have crossed into the dark, brooding world of Grimm's fairytales and surrealistic subjects that help convey the emotion and tragedy of our world's children. Oliver works closely with many charities, most recently donating proceeds to Dreamlovecure.org and City of Hope's Department of Paediatrics.
Storybook: The Wind in the Willows by Kenneth Grahame | The Wind in the Willows is a children's novel by Kenneth Grahame, first published in 1908. Alternately slow moving and fast paced, it focuses on four anthropomorphised animals in a pastoral version of England. The novel is notable for its mixture of mysticism, adventure, morality, and camaraderie and celebrated for its evocation of the nature of the Thames valley.
Storybook: Stellaluna by Janell Cannon | A mother fruitbat loves her baby called Stellaluna very much and would never let anything happen to her. When the two are attacked by an owl, the predator knocks Stellaluna out of her mother's safe embrace. Soon the baby bat ends up in a bird's nest filled with three baby birds named Pip, Flitter and Flap. The mother bird will let Stellaluna be part of the family only if she eats bugs, does not hang by her feet and sleeps at night.
When all the baby animals grow, they learn to fly. When Stellaluna and the birds are out playing, it gets dark and the birds go home without her because they will not be able to see in the dark. Stellaluna keeps flying, but when Stellaluna's wings hurt, she stops to rest. When she does, she hangs by her thumbs. Soon another bat comes to ask why Stellaluna is hanging by her thumbs. She tells the bat the story of what had happened after she and her mother were attacked by the owl. Another bat interrupts the story. That bat is Stellaluna's mother. Stellaluna and her mother are happily reunited and Stellaluna finally understands why she is so different.
Excited about learning how to be a bat, Stellaluna returns to Pip, Flitter, and Flap in order to share her new experiences. They agree to join Stellaluna and the bats at night, but find they are unsuited to flying at night and nearly crash. Stellaluna rescues them and the four of them decide that while they may be very different, they are still friends and family.
Laurie Lee Brom grew up in the historical town of Charleston, South Carolina, the local ghost stories and folk tales of the swampy Low County, and rich Gullah culture stirring her imagination. She spent untold hours pursuing pixies and tree frogs in the hollow logs and Pluff Mud of her own backyard. Today she still pursues fairy folk along with all manner of curious ghosts and odd characters in her enchanting portraits and paintings.