Image of beauty, grace woman combining independent, craftiness and femininity. The cat has a sense of freedom as it doesn’t want to be caught or locked up by anybody. Also cats are often considered the personification of: desire,perversity and laziness;darkness, witchcraft and evil force the souls of the dead. At the same time elegance, vitality, artfulness and invulnerability are the cat’s inherent traits and can be found in a real woman. Having such traits ideal woman could direct an indefatigable men’s strength and power in positive creative way. If we could equate the role of women in structure of the world to men’s role lot of society’s problems will be solved. The «Sphinx Cat» doll is a manifestation of my vision and feeling of the ideal woman who both cute Flirty and femme fatale inside. She has inexplicable appeal to men. The name of this appeal is Femininity.. I hope that in my works I managed to convey at least part of the spectrum of this mysterious woman qualities.
My name is Tatyana Trifonova. I live and work in Moscow-city, Russia. After I graduated from the university of MARHI, I took part as an artist-designer in a great number of decorative designs. Those projects were of vast directions and complexity levels, starting with apartment designs and continuing to government order for aircraft's cabin interiors. Developing a wide range of design-projects and solving a lot of artistic tasks coupled with a great passion for the world of dolls and fantasy led me to create the first porcelain doll of mine in the year of 2010. To my surprise, it's obtained recognition among doll-fanciers and professional artists. Those people gave me a lot of helpful advice and shared their rich experiences with me. Eventually all the sudden for me the hobby, so to speak doll by doll, became something more substantial and in the year of 2011 the project "TriffonyArtwork" was launched. Nowadays some of the most popular dolls of "TriffonyArtwork" brand are made not only of porcelain, but using polyurethane in order to meet rising customer's interest and demand for dolls. It allows offering some of the most popular dolls for more affordable prices as well. From the very beginning the most important thing for me was not only focusing on embody conception, but making strong emphasis on fine details which are very important for final image perception. Collaboration with the "Stardoll" company helps to maintain high standards of workmanship quality during production of polyurethane dolls. Welcome to my world of dolls.
This painting depicts the limitations society places on women, corrupting what truly is beautiful by placing them in these prisons of identity. By doing so, society is asking them to become superheroes. The work is an offset of American comics, synonymous to entertainment and fun. This is exactly the goal of the series - a daily struggle against that which is imposed by society and the very expectations we impose on ourselves I keep myself busy in many ways; single mom, business woman, artist, the household, romance, errands. It puts a lot on one’s shoulders. We overwork ourselves. We are all slaves to something or of something. And in comic books, despite all the playfulness of the thing itself and all the “POW BING BAM,” superheroes are also fragile. We are merely human men and women and we are entitled to the flaws and errors. Lets be proud of who we are, be fierce and strong.
Sandra Chevrier, who calls herself a “gaze collector,” creates hyperrealistic paintings of women that stare out towards the viewer. Reinterpreting the superhero mask, Chevrier covers these images with a collage of comic book prints, using scenes from Superman and Batman to conceal the faces of these idealized women. Chevrier selects sections of comic books that portray “fragile heroes,” promoting the idea that vulnerability often underlies heroism. Titled “Cages,” these mixed-media works encourage viewers to consider how the modern woman—like these superheroes—might also be surrounded by expectations of effortless perfection.
Jennybird Alcantara's minutely detailed oil paintings possess un-borrowed symbolism, drawing the viewer deeply into a world both strange and beautiful. Dreamlike narratives form the core her paintings where the complex interconnectedness of opposites appear through the prism of myth, fable and fantasy. Jennybird uses the symbolism of duality to explore the connection of life and death and the veil in between.
Born a minister's son in 1977 in Seoul Korea, Young Chun remembers as a child, living in a small attachment to a hillside church for a brief time. The weekdays spent running around with imaginary friends in the dim empty chapel has fueled his imagination, contributing to his artistic growth. The "chapel" has become a permanent fixture in his creative mind - where he constructs, develops, and stores works in progress, before they ever meet a sketchpad. In 2000, Young received his B.F.A, from the Art Center College of Design, in Pasadena California. After several years of painting without clear direction, he stumbled into the opposite end of the spectrum - into the healthcare field - to search for "substance" and "something deeper in life". The years spent working as a respiratory therapist, helping people who were faced with life and death situations, has expanded his outlook in life; adding to his artistic vision. In February of 2011, Young resumed working as a full time artist. He currently lives and works in Orange County, California.