Thor is a fictional superhero that appears in American comic books published by Marvel Comics. The character, based on the Norse mythological deity of the same name, is the Asgardian god of thunder and possesses the enchanted hammer Mjolnir, which grants him the ability of flight and weather manipulation amongst his other superhuman attributes.
These are portraits of the forgotten idols, the pieces of the past meant to preserve the highest order of our human ideals. As we move stubbornly forward in time and generations pass on, we see our crowned achievements of art and culture as dust. The rate of decay is governed only by the constitution of the material, be it flesh or marble. These paintings are about interpreting the fragility of our idols and examining them from a humanist perspective. In the end, entropy prevails and only by finding beauty in decay and re-interpreting it do we carry on the indomitable human spirit of progress and artistic pursuit of beauty.
Bradley Platz’ intricate oil paintings deal with the alternating nature of worship in the modern age. Using classical symbolic imagery from old world traditions and transposing subtle hints of modernity, his work might best be described as tarnished elegance. Ever present also are certain whimsical and subtle symbols that carry the viewer through his body of work as a reader through a story, or a craft on the sea.
Bradley Platz’ traditional oil paintings address the increasingly complex issues of permanence in the modern age. With a nod to the classical subject manner, the marble statues represent a timeless, yet forgotten beauty—a silent reminder of our mortality and the passing of time. The environments that these stolid statues inhabit range from the empty softness of raw linen and atmospheric perspective, to recent work depicting the over-development and deconstruction of place—and space—on the edge of continent and future.
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