Glenn Arthur is one of many artists showing in the Beautiful Bizarre curated group show Femme to Femme Fatale here at Modern Eden Gallery this month. Collectors swoon over his sleek, intricate acrylic paintings of feminine beauty in stylistic twists. With a tremendous fan base and following, Glenn’s work speaks for itself. But we are curious to dig a little into the nature of his work ethic, freedom, and enjoyment after having arrived at this level of admiration and artistic success.
Interview by Jessica Violetta.
All images courtesy of the artist.
JV: I am personally a big fan and have enjoyed watching your work progress, always becoming more beautiful and refined. How does this growth resonate with you, if at all? Do you ever notice yourself experiencing drastic changes in your art and/or reflecting back on the progress you have made?
GA: Recognizing my own growth as an artist is a strange thing. I never notice it happening until I look back at my older work and see all of the differences compared with what I'm currently working on. I do constantly strive to improve my work so it's always nice to see that it has happened although I can never really pinpoint when it's happening. Of course, as an artist, I'm never satisfied with making just one type of art. I like to try my hand at several mediums which pushes my growth in different directions that I might not have thought about on my own. Surprise growth is just as welcome as intended growth!
JV: It also seems that artists like yourself are able to increasingly indulge in the aspects of the art-making that you personally enjoy, the more your fan base expands and support is received to literally watch you do….whatever it is that YOU enjoy to do! Is that a fair assumption or do you feel there is some freedom left to be desired?
GA: The fan base is always a factor for me when making my art, but not in the way that it dictates what I choose to make. I'm a multifaceted person with a lot of different interests so I'm always aware that some of the art I make will get a huge response and some will get a very small response. I know the true fans of my work understand that I love creating everything from surrealistic art to anime fan art to sketches of hummingbirds as silly characters. I've never felt stifled when it comes to creative freedom. If anything, the people who enjoy my work continually encourage me to try new things and I love that.
JV: Your work often infuses what you’ve referred to as your “signature” hummingbird. What is the story behind incorporating these pretty, playful birds?
GA: I always feel bad answering this question because I feel like people are expecting a deep response about some kind of personal symbolism that hummingbirds portray for me when in actuality, I just think they're super cool! I've been fascinated with them for as long as I can remember. They're such fast little birds though and out of sight in an instant, so putting them in my work is a way for me to keep them around longer. It's also just tons of fun to dress them up and give such tiny creatures a larger than life personality.
JV: I think many people, including myself, truly enjoy looking at artwork that is primarily about beauty, femininity, tasty details, and the dedicated craftsmanship behind it. Have you ever felt pressure to deliver work with different subject matter and/or what would you say to aspiring artists who also desire to focus on beauty and craft like yourself?
GA: The art that I share publicly is the art that truly inspires and speaks to me aesthetically and emotionally. What a lot of people don't know is that I also do a lot of private illustration work which gives me the chance to explore a lot of art that I wouldn't normally make. Of course these illustrations look nothing like my personal style, and I don't share them publicly, so even if someone saw them they probably wouldn't know it was made by me. Being given opportunities to make so many different kinds of art really makes me appreciate my own personal style so I never really feel pressured to deliver anything different. The best advice I can give to any aspiring artist is to be prolific! I make some kind of art every single day. I may not share it all publicly, but a day never goes by without a pen, pencil or paintbrush in my hand.
JV: Again, just based on observation, the enjoyment you take in your work really seems to show. There are plenty of theories about the importance of artists being able to fully indulge in what they do and that coming through to the viewer. But you also claim to be a perfectionist and your discipline is evident too. Is there anything you can say about balancing these two dynamics in artmaking - pleasure and discipline?
GA: I have a saying that I always refer back to when it comes to discipline. "Practice makes proficient." Although I do consider myself a perfectionist, I know that perfection is an unrealistic goal. I'm also my own worst critic which renders perfection unattainable in my mind. So the next best thing is proficiency. To me, being proficient in something that brings me pleasure, so I guess the more I strive for it the more I enjoy it. I don't know, maybe that makes me some kind of masochist? I also have an undying fear that I'll forget how to make art if I ever stop which might factor into my strange views of pleasure and discipline.
JV: We are looking forward to having your solo show here at Modern Eden in May 2017! Have you begun to prep for this yet, even just in brainstorming or sketch phases? Give us hints of what to expect!
GA: I'm ridiculously excited for this show! I've recently become obsessed with growing succulents and cacti and I'm planning on painting a whole series inspired by these gorgeous plants! As with all of my work you can expect a touch of surrealism and whimsy and of course hummingbirds! I've already got a bunch of sketches and studies in the work and can't wait to get started on the full paintings!
JV: Lastly, I believe you are currently living and working out of northern California. How is this, in your opinion, compared to being in the LA area right now? (Clearly we are a bit biased…)
GA: I was born and raised in Southern California living most of my life in the Orange County area. I still love it down there, but at this stage in my life I really wanted to slow things down and enjoy more nature which the Bay Area is perfect for. I'm specifically in the East Bay which I have fallen in love with and it's great that San Francisco is only a short drive away so that I can get my fill of big city life when I need to.
Intertwined by Glenn Arthur
On view through October 8, 2016 at Modern Eden Gallery in San Francisco for Femme to Femme Fatale curated by beautiful.bizarre Magazine.